![]() ![]() In dance, theatre, or in firm music, the use of music in choreography displays the subjectivity of interpretation to a certain extent due to preferences, background of audience, coach, and composer. The use of music in sports routines that involve choreography is inevitable, and the appropriateness between the two is taken into account for awarding points in competitions. ![]() This change was effectively incorporated into world prominence delegations, and we verified the strong influence of NA music. We conclude that most of the gymnasts and teams used this new rule of the Code of Points. In team routines, of the 28 songs, 17 were IM and 11 were MVW. ![]() Among the IM, 21 were North-American (NA) and 60 from other nationalities (ON). As a result, we identified that, of the 104 songs of individual routines, 81 were instrumental music (IM) and 23 represented music with voice and words (MVW). The analysis was quantitative (incidence parameter) and qualitative (type of music). The sample was composed of 26 individual athletes and 14 teams. This is a documentary research, with two types of sources: official International Federation of Gymnastics and videos of the routines. This study aimed to analyze the impact of this change in the routines, at the RIO 2016 Olympic Games. The Rhythmic Gymnastics Code of Points, 2013-2016, was a milestone by allowing vocal music in routines. ![]()
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